1) will illustrate the correct signal path for this setup: Fig. As a general rule of thumb it’s always good to set this up even when you’re not planning on reamping because you’ll always have the tone flexibility without sacrificing your take. At this point you’re ready to record your tracks. Plug your guitar into the high impedance input, send the thru output to your guitar amp and send the low impedance output to your interface. Labels may vary depending on the unit you’re using but there’ll usually be an unbalanced input (high impedance), a thru output and a balanced output (low impedance) at the very least. You can use a regular DI (Direct injection) box for this. Recording your guitar amp/processor on the first take is not a necessary step but it will usually feel a bit better to play with a sound that you might end up using as opposed to only a dry signal (i.e. The second track will be used for your completely dry, unadulterated signal. One track will be used for your actual guitar amp tone which should already be mic’d up. Assign two inputs from your interface to those two tracks. Your first step will be to open your DAW (Pro Tools, Logic, Ardour, etc), and create two tracks. The whole concept is relatively simple in design but highly effective in a recording situation, especially when you’re unsure of which amp tone you will end up using. ![]() After he demonstrated the mechanics of it, there was no turning back for me. These steps will set you up for reamping, which is an excellent a way of alleviating some of that stress and keep you moving forward with your recordings. I first learned about it from an audio engineer friend named Michael E. ![]() There are a few extra steps you can take when recording to ensure complete tonal flexibility without having to replicate a perfectly good take. Have you ever recorded a guitar track and then realized the tone just wasn’t quite right? I’ve done this a number of times and the result is a product that just ends up bugging you every time you hear it. Click for more info on this John Cuniberti-designed reamper!
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